What Is It Called When U Use the Same Consonant Over and Over Again

Repetition of consonant sounds in literature

Alliteration is the conspicuous repetition of identical initial consonant sounds in successive or closely associated syllables inside a grouping of words, oftentimes used as a literary device. A familiar instance is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Standard arabic, Irish gaelic, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic.^[1]

Historical use [edit]

The word ingemination comes from the Latin discussion littera, meaning "alphabetic character". It was kickoff coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century.^[2]

Ingemination is used in the alliterative verse of Old English, One-time Norse, Old High German, One-time Saxon, and One-time Irish. It was an important ingredient of the Sanskrit shlokas.^{[3] [4]} Alliteration was used in Old English given names.^[five] This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th century past their directly descendants Æthelstan and Æthelred II, who ruled as kings of England.^[a] The Anglo-Saxon saints Tancred, Torhtred and Tova provide a similar example, amid siblings.^[six]

Today, ingemination is used poetically in diverse languages effectually the earth, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Linguistic communication, Somali, Finnish, Icelandic.^[1] It is also used in music lyrics, article titles in magazines and newspapers, and in advertisements, business organization names, comic strips, idiot box shows, video games and in the dialogue and naming of cartoon characters.^[7]

Types of ingemination [edit]

In literature, alliteration is the conspicuous repetition of identical initial consonant sounds in successive or closely associated syllables within a group of words, fifty-fifty those spelled differently.^{[8] [9] [10] [xi]} Some literary experts accept as alliteration the repetition of vowel sounds,^[11] or repetition at the end of words.^[8] Ingemination narrowly refers to the repetition of a letter in any syllables that, according to the poem'south meter, are stressed,^{[12] [13]} as in James Thomson's verse "Come…dragging the lazy languid line along".^[xiv]

Consonance is a broader literary device identified by the repetition of consonant sounds at any point in a give-and-take (for example, cogranding home, hot foot).^[15] Alliteration is a special case of consonance where the repeated consonant sound is in the stressed syllable.^[16] Ingemination may likewise refer to the use of different but similar consonants,^[17] such as alliterating z with s, as does the author of Sir Gawain and the Dark-green Knight, or equally Anglo-Saxon (Old English) poets would alliterate difficult/fricative g with soft k (the latter exemplified in some courses as the alphabetic character yogh – ȝ – pronounced similar the y in yarrow or the j in Jotunheim).^{[ commendation needed ]}

Head rhyme or initial rhyme is a method of linking words for effect;^[ix] for example, "humble house", "potential power play",^[10] "picture perfect", "goney katters", "rocky road", or "quick question".^{[18] [19]} A familiar example is "Peter Piper picked a peck of pickled peppers".

Symmetrical alliteration is a specialised form of ingemination, which contains parallelism,^[xx] or chiasmus. In this instance, the phrase must have a pair of outside end words both starting with the same sound, and pairs of outside words also starting with matching sounds every bit i moves progressively closer to the centre. For example, "rust brown blazers rule" or "fluoro colour co-ordination forever". Symmetrical alliteration is similar to palindromes in its use of symmetry.

Examples of utilize [edit]

Literature [edit]

Gilbert and Sullivan's comic opera The Mikado contains a well-known example of alliterative lyrics:^[21]
"To sit in southwardolemn silence in a dull, dark dock,
In a pestilential prison, with a lifelong fiftyock,
Awaiting the sendue southation of a short, sharp shock,
From a cheap and chippy chopper on a big black block!"^[22]

• The Raven by Edgar Allan Poe has many examples of alliteration, including the following line: "And the silken sorry uncertain rustling of each purple curtain".
• Samuel Taylor Coleridge's verse form The Rime of the Ancient Mariner has the following lines of alliteration: "The fair cakewalk blew, the white foam flew/ The furrow followed costless".
• Robert Frost's poem Acquainted with the Night has the following line of ingemination: "I have stood still and stopped the sound of feet".
• The Lake Island of Innisfree past W. B. Yeats has the following line of alliteration: "I hear lake water lapping with low sounds by the shore".
• William Shakespeare's play Equally You lot Similar It has the following lines of alliteration: "And churlish chiding of the winter's wind/ Which, when information technology bites and blows upon my body".
• James Thomson'due south poem Fall has the following lines of alliteration: "A pleasing calm; while broad and chocolate-brown, beneath/ Extensive harvests hang the heavy head".
• In Walter Abish's novel Alphabetical Africa (1974) the get-go chapter consists solely of words offset with "A". Chapter two besides permits words outset with "B", and so on, until in chapter 26, Abish allows himself to use words start with any letter at all. In the next 25 chapters, he reverses the process.
• Kalevala: The Karelian-Finnish national epoch book Kalevala written by Elias Lönnrot in the 1800s contains alliteration in the Eastern Finnish Karelian dialect, for example "Vaka vanha Väinämöinen", "Steady old Wainamoinen".

Rhyme [edit]

• In "Thank-You for the Thistle" past Dorie Thurston, poetically written with alliteration in a story course: "Great Aunt Nellie and Brent Bernard who lookout man with wild wonder at the wide window as the beautiful birds brainstorm to bite into the bountiful birdseed".
• In the nursery rhyme 3 Grey Geese by Mother Goose, ingemination tin can exist found in the post-obit lines: "Three gray geese in a green field grazing. Grey were the geese and green was the grazing."
• The tongue-twister rhyme Betty Botter by Carolyn Wells is an instance of alliterative composition: "Betty Botter bought a bit of butter, but she said, this butter's bitter; if I put it in my batter, it will make my batter bitter, but a fleck of better butter will make my bitter batter amend..."
• Another commonly recited tongue-twister rhyme illustrating alliteration is Peter Piper: "Peter Piper picked a peck of pickled peppers. If Peter Piper picked a peck of pickled peppers, where'due south the peck of pickled peppers Peter Piper picked?".

Verse [edit]

Poets tin can call attention to certain words in a line of poetry by using alliteration. They can too employ ingemination to create a pleasant, rhythmic effect. In the following poetic lines, observe how alliteration is used to emphasize words and to create rhythm:

"Requite me the first-class silent sun with all his beams full-dazzling!' Walt Whitman, "Give Me the Splendid Silent Sun"

"They all gazed and gazed upon this dark-green stranger,/because anybody wondered what information technology could mean/ that a rider and his horse could be such a colour-/ greenish as grass, and greener it seemed/ than green enamel glowing bright against gold".^[b] (232-236) Sir Gawain and the Green Knight, translated by Bernard O'Donoghue (In the original, and in J. R. R. Tolkien's translation, this poem in fact follows an alliterative meter.)

"Some papers like writers, some similar wrappers. Are yous a writer or a wrapper?" Carl Sandburg, "Paper I"

Alliteration tin can as well add to the mood of a poem. If a poet repeats soft, melodious sounds, a calm or dignified mood can issue. If harsh, hard sounds are repeated, on the other manus, the mood can become tense or excited. In this poem, alliteration of the s, l, and f sounds adds to a hushed, peaceful mood:

"Softer exist they than slippered sleep the lean lithe deer the fleet flown deer."

Rhetoric [edit]

Alliteration has been used in various spheres of public speaking and rhetoric. Alliteration can also be considered an creative constraint that is used past the orator to sway the audience to feel some type of urgency, or perhaps even lack of urgency,^[25] or another emotional effect. For example, H or E sounds can soothe, whereas a P or a B audio can be percussive and attention-grabbing.^{[ citation needed ]} S sounds can imply danger or make the audition feel every bit if they are existence deceived.^[26] Other sounds can create feelings of happiness, discord, or acrimony, depending on context.^{[ commendation needed ]} Alliteration serves to "intensify whatsoever attitude being signified".^{[27] : 6–7} Its significance as a rhetorical device is that it adds a textural complexity to a speech, making it more engaging, moving, and memorable. The use of alliteration^[28] in a speech captivates a person'south auditory senses; this helps the speaker to create a mood. The use of a repeating sound or letter is noticeable, and so forces an audience'south attending and evokes emotion.

A well-known example is in John F. Kennedy'southward Inaugural Accost, in which he uses alliteration 21 times. The concluding paragraph of his speech is given every bit an example here.

"Finally, whether you are citizens of America or citizens of the globe, ask of the states hither the same high southtandards of due southtrength and due southacrifice which we ask of you. With a good conscience our just sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that hither on Earth God'due south work must truly be our ain." — John F. Kennedy^[29]

Other examples of alliteration in some famous speeches:

• "I have a dream that my four trivial children volition one day live in a nation where they will non exist judged by the color of their skin only past the content of their character." — Martin Luther King Jr.^[30]
• "We, the people, declare today that the well-nigh evident of truths—that all of u.s.a. are created equal—is the star that guides us still; just as it guided our forebears through Seneca Falls, and Selma, and Stonewall; just as information technology guided all those men and women, sung and united nationssung, who left footprints along this bully Mall, to hear a preacher due southay that we cannot walk alone; to hear a King proclaim that our private freedom is inextricably leap to the liberty of every soul on World". — Barack Obama.^[31]
• "And our nation itself is testimony to the love our veterans have had for it and for us. All for which America stands is rubber today considering dauntless men and women have been ready to face the fire at freedom's front." — Ronald Reagan, Vietnam Veterans Memorial Accost.^[32]
• "Four score and 7 years agone our fathers brought forth on this continent a new nation, conceived in liberty, and defended to the suggestion that all men are created equal". — Abraham Lincoln, Gettysburg Address.
• "Patent portae; proficiscere!" ("The gates are open; depart!") — Cicero, In Catilinam one.10.

Translation tin can lose the emphasis adult past this device.^[33] For instance, in the accustomed Greek text of Luke x:41^[34] the repetition and extension of initial sound are noted equally Jesus doubles Martha's name and adds an alliterative description: Μάρθα Μάρθα μεριμνᾷς (Gartha, Martha, merimnas). This is lost in the English NKJ and NRS translations "Martha, Martha, yous are worried and distracted by many things."

Music lyrics [edit]

• "Helplessly Hoping" by Crosby, Stills, Nash & Young has rich alliteration in every verse.
• "Mr. Tambourine Homo" by Bob Dylan employs alliteration throughout the song, including the lines: "Aye, to dance beneath the diamond sky with i hand waving free/ Silhouetted by the sea, circled by the circus sands."
• "Mother Nature's Son" by The Beatles includes the line: "Swaying daisies sing a lazy song below the dominicus."

Come across too [edit]

• Alliteration (Latin)
• Anadiplosis
• Assonance
• Onomatopoeia
• Parachesis
• Tautogram

Footnotes [edit]

1. ^ Former English "Æthel" translates to modern English "noble". For further examples of alliterative Anglo-Saxon royal names, including the use of merely alliterative first letters, encounter for example:Yorke, Seaby 1990, Table 13 (p. 104; Mercia, names start with "C", "M", and "P") or Seaby 1990, pp. 142–iii (Wessex, names showtime with "C") For word of the origins and purposes of Anglo-Saxon "king lists" (or "regnal lists"), come across for example Dumville 1977
2. ^ The original in Center English language was:^[23]

   For vch mon had meruayle quat hit mene myȝt
   Þat a haþel and a equus caballus myȝt such a hwe lach,
   Every bit growe grene as þe gres and grener hit semed,
   Þen grene aumayl on golde glowande bryȝter.

Notes [edit]

1. ^ ^{a b} Roper 2011.
2. ^ Clarke 1976.
3. ^ Langer 1978.
4. ^ Jha 1975.
5. ^ Gelling 1988, pp. 163–4.
6. ^ Rollason 1978, p. 91.
7. ^ Coard 1959, pp. 30–32.
8. ^ ^{a b} Beckson & Ganz 1989.
9. ^ ^{a b} Carey & Snodgrass 1999.
10. ^ ^{a b} Crews 1977, p. 437.
11. ^ ^{a b} Harmon 2012.
12. ^ "Ingemination, University of Tennessee Knoxville". Archived from the original on 2013-04-24. Retrieved 2013-09-x .
13. ^ "Definition of Alliteration, Bcs.bedfordstmartins.com". Archived from the original on 2013-07-03. Retrieved 2013-09-x .
14. ^ Thomson 1986.
15. ^ Baldick 2008, p. 68.
16. ^ "ingemination". TheFreeDictionary.com.
17. ^ Stoll 1940.
18. ^ "Ingemination - Examples and Definition of Ingemination". Literary Devices. 2021-01-29. Retrieved 2021-06-29 .
19. ^ Meredith 2000.
20. ^ Fussell 2013, p. 98.
21. ^ Wren 2006, p. 168.
22. ^ The Mikado libretto, p. sixteen, Oliver Ditson Company
23. ^ Tolkien & Davis 1995.
24. ^ Techniques Writers Utilise
25. ^ Bitzer, Lloyd (1968). "The Rhetorical Situation". Philosophy and Rhetoric.
26. ^ "Literary Devices: Ingemination". Author'south Craft . Retrieved 2014-09-26 .
27. ^ Lanham, Richard (1991). A Handlist of Rhetorical Terms. Los Angeles: University of California Press. p. 131. ISBN978-0-520-27368-9.
28. ^ "Alliteration". Ingemination. N.p., northward.d. Web. 22 Oct. 2013.^{[ description needed ]}
29. ^ "4 things that fabricated JFK'southward Inaugural Address so effective". Speak Like A Pro.
30. ^ "I Take A Dream Speech Analysis Lesson Programme". Flocabulary. 2012-01-eleven.
31. ^ "Obama'south Alliteration". The Rhetorician's Notebook. 2013-01-21.
32. ^ "Rhetorical Figures in Sound: Alliteration". americanrhetoric.com.
33. ^ In some language pairs this can approach of up to 50%. Jonathan Roper, "Alliteration Lost, Kept and Gained: Translation every bit an Indicator of Linguistic communication-Specific Prosaics," in Scala naturae. Festschrift in Laurels of Arvo Krikmann, ed. Anneli Baran et al (Tartu, Estonia: Academy of Tartus Printing, 2014), 421.
34. ^ The Greek New Testament, 4th rev ed, ed. Kurt Aland, et al (Stuttgart: UBS, 1983), 247 n 7.

References [edit]

• Baldick, Chris (2008), The Oxford Lexicon of Literary Terms, Oxford University Press, ISBN978-0-19-920827-2 , retrieved 15 July 2016
• Beckson, Karl; Ganz, Arthur (1989), Literary Terms: A Dictionary (3rd ed.), New York: Noonday Press, LCCN 88-34368
• Carey, Gary; Snodgrass, Mary Ellen (1999), A Multicultural Dictionary of Literary Terms, Jefferson: McFarland & Visitor, ISBN0-7864-0552-X
• Clarke, Westward K (April–June 1976), "Intentional Alliteration in Vergil and Ovid", Latomus, Société d'Études Latines de Bruxelles, 35 (ii): 276–300
• Coard, Robert Fifty (July 1959), "Broad-Ranging Alliteration", Peabody Journal of Education, 37 (1)
• Crews, Frederick (1977), The Random House Handbook (second ed.), New York: Random Business firm, ISBN0-394-31211-ii
• Dumville, D N (1977), "Kingship, Genealogies and Regnal Lists", in Sawyer, P H; Wood, I Northward (eds.), Early on Medieval Kingship, Academy of Leeds
• Fussell, Paul (15 May 2013), The Great War and Mod Retentivity, Oxford University Press, ISBN978-0-19-997197-8 , retrieved 24 September 2013
• Gelling, M (1988), Signposts to the Past (2nd ed.), Phillimore
• Harmon, William (2012), A Handbook to Literature (12th ed.), Boston: Longman, ISBN978-0-205-02401-8
• Jha, K Northward (1975), Figurative Poetry In Sanskrit Literature, ISBN978-8120826694
• Langer, Kenneth (Oct–Dec 1978), "Some Suggestive Uses of Alliteration in Sanskrit Court Verse", Journal of the American Oriental Society, 98 (four): 438–45
• Meredith, Joel 50 (2000-10-25), Adventures in Alliteration, ISBN978-1-4691-1220-six
• Rollason, D W (1978), "Lists of Saints' resting-places in Anglo-Saxon England", Anglo-Saxon England (7)
• Roper, Jonathan, ed. (2011), Alliteration in Civilisation, Palgrave MacMillan
• Seaby (1990), [missing title]
• Stoll, E Eastward (May 1940), "Poetic Alliteration", Modern Linguistic communication Notes, 55 (5): 388–390, doi:ten.2307/2910998, JSTOR 2910998
• Thomson, James (1986), The Castle of Indolence, ISBN0-xix-812759-6
• Tolkien, J R R; Davis, Norman, eds. (1995), Sir Gawain and the Light-green Knight (2. ed., fourteen. imp ed.), Oxford: Clarendon Press, ISBN978-0-19-811486-4
• Wren, Gayden (2006), A Most Ingenious Paradox: The Art of Gilbert and Sullivan , Oxford University Press, ISBN9780195301724 , retrieved 26 Oct 2014, mikado ingemination
• Yorke, B, Kings and Kingdoms of Early Anglo-Saxon England

External links [edit]

• A collection of Dutch alliterations and related material (with audio files)
• Examples of alliteration in poetry

morganwhirds.blogspot.com

Source: https://en.wikipedia.org/wiki/Alliteration

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